Recently my wife turned me on to an author: Malcolm Gladwell. All his books are fascinating, but I think “Outliers” is his best work, at least as far as offering up a new and original philosophy. He presents three main ideas: [click to continue…]
For some reason many guitarists look upon reading music as a bad thing. I’m sure most of you have met/known a guitarist who has said, “I don’t want to learn how to read, it will @#% up my playing”. Maybe you yourself have said this? This is like saying, “Yes, I am an ignoramus, and I embrace it!” [click to continue…]
As I’ve mentioned before: every item in your signal path, from your guitar, to your strings, to your pickups, to your amp… All this affects your overall tone. Your pick is part of this equation. Many beginning students ask me what kind of pick they should use when they first start studying guitar. My advice is always the same: buy an assortment and see what feels best for you.
There are three things to consider when choosing the right pick. [click to continue…]
No doubt, delay is my favorite effect, unless you consider distortion an effect. Delay adds a depth and richness to my tone that I can’t live without. There are many ways to apply delay (which is also called echo). Before getting into the applications, though, let’s go over the basic parameters of a delay effect: [click to continue…]
In the first installment on delay we explored what a delay can do. Now let’s explore some players who use delay, so you can get an idea of what you might be looking for. [click to continue…]